Winter 2019 Issue
“Invisible Landscapes”

Dancing between Spectacular and Ordinary

Dancing between Spectacular and Ordinary

Photographer Paul Weinberg recounts his career of documenting apartheid in South Africa. Alongside photographer David Goldblatt, Weinberg discusses the cultural climate around documentary photography with the group Afrapix, and his other series of indigenous peoples in light of apartheid.

Teaching with Contemporary Art

To Evoke Emotion

Teaching with Contemporary Art

To Evoke Emotion

Art21 Educator Dennis Greenwell shares an exercise that encouraged students to explore and embrace emotional reactions to artwork.

Slaughter

Slaughter

For an art form so daring, defiant, and overwhelmingly public as graffiti, it is too often dismissed, ignored, and (in some cases) made invisible, disappearing into the barrage of visual information around it. Encompassing everything from large-than-life paintings to train tags or the scratching of one’s moniker into an air-conditioner grill, graffiti both animates and disrupts our landscape. This way of working was at the heart of Margaret Kilgallen’s practice.

Teaching with Contemporary Art

Landscape and Inquiry

Teaching with Contemporary Art

Landscape and Inquiry

Art21 Educator Dennis Greenwell screened the “Extended Play” film “Julie Mehretu: Politicized Landscapes” and shares the inspiring classroom discussion and activity that ensued as a result.

Black Mentifact

Black Mentifact

Artist and curator Tiona Nekkia McClodden visited Kevin Beasley’s exhibition “A view of a landscape” with her mother, sparking a conversation about labor, cotton, and family history. McClodden shares how her creative practice is influenced by these histories and the exploration of black mentifact.