Tag Archives: Social

Living in the Present

Living in the Present

The abandoned buildings in Detroit have an air of nostalgia and a visceral seductiveness. When encountered for the first-time, they can be overwhelming. No building represents the affects of ruin …

Gastro-Vision

Gastro-Vision | On Soup

Gastro-Vision

Gastro-Vision | On Soup

Rare is the occasion when people talk about food in art without someone uttering (or at least thinking) the name Rirkrit Tiravanija. Known as “the artist who cooks,” Tiravanija began to eschew …

5 Questions for Contemporary Practice

5 Questions with Colectivo Situaciones

5 Questions for Contemporary Practice

5 Questions with Colectivo Situaciones

* This interview has been translated and co-edited by Brian Whitener. I first heard about Colectivo Situaciones about a year ago, when I received a publication in the mail titled …

Sampling the Document or Documenting the Sample: An Interview with Banu Cennetoglu

Sampling the Document or Documenting the Sample: An Interview with Banu Cennetoglu

Banu Cennetoglu’s website has read “meşgul/busy” since the summer. And even after four months of emails, having never meet in person, Banu Cennetgolu is still a source of fascinating mystery …

Teaching with Contemporary Art

What I Learned at the Armory Show

Teaching with Contemporary Art

What I Learned at the Armory Show

A long stroll and purposefully slow visit to the Armory Show last week opened my eyes to quite a bit. In addition to being exposed to new artists (my main …

Open Enrollment

Open Enrollment: The BHQFU takes on the USA

Open Enrollment

Open Enrollment: The BHQFU takes on the USA

The Bruces are going on the road, out of the echo-chamber of New York, to take on America. It’s been hard for me to take a definitive stance on the …

Open Enrollment

Open Enrollment: Something to Talk About

Open Enrollment

Open Enrollment: Something to Talk About

There’s nothing quite like the graduate critique seminar – a visit to a classmate’s studio where ten to fifteen artists are hopefully hopped up on enough caffeine that they’ll engage …

Teaching with Contemporary Art

Graffiti in the Classroom

Teaching with Contemporary Art

Graffiti in the Classroom

Students often have lots of interest and questions about graffiti, graffiti art and street art. My response usually includes the fact that I love graffiti art and street art, especially …

5 Questions for Contemporary Practice

5 Questions (for Contemporary Practice) with Amy Balkin

5 Questions for Contemporary Practice

5 Questions (for Contemporary Practice) with Amy Balkin

For the past couple years, I have been teaching Bay Area-based artist Amy Balkin’s work within a curriculum about environmental art and “land expropriation.” I teach her work besides Karl …

A willing participant at EMPAC’s “Uncertain Spectator”

A willing participant at EMPAC’s “Uncertain Spectator”

No matter how many times I fly, there are several minutes while tons of metal lift dozens or hundreds of bodies into the air that I can’t help but think …

Teaching with Contemporary Art

Nancy Spero and Kiki Smith

Teaching with Contemporary Art

Nancy Spero and Kiki Smith

It seems like a good time for Nancy Spero and Kiki Smith. Artists whose work incorporate storytelling, pointed statements and using the female body to do so, Nancy Spero and …

Open Enrollment

Open Enrollment: From My Institution to Yours

Open Enrollment

Open Enrollment: From My Institution to Yours

In the spring of every year, the Master of Public Art Studies: Art/Curatorial Practices in the Public Sphere program at the University of Southern California, one of two graduate programs …

How Much Does Corn Matter? Glory and Humility in the Work of Eduardo Villanes

How Much Does Corn Matter? Glory and Humility in the Work of Eduardo Villanes

As I am grieving the disappearance of the Minimalist from the pages of the New York Times, I am also pondering Mark Bittman’s statement from his farewell column, “the continuing …

Looking at Los Angeles

Looking at Los Angeles | The California Biennial: Collectives, Conversations, and Collaborations

Looking at Los Angeles

Looking at Los Angeles | The California Biennial: Collectives, Conversations, and Collaborations

I first experienced the California Biennial in 2008 as a participant in Mary Kelly’s Flashing Nipple Happening.   Kelly had recruited around five dozen young women to gear-up in black …

Turkish and Other Delights

Turkish and Other Delights: Extramücadele/Extrastruggle

Turkish and Other Delights

Turkish and Other Delights: Extramücadele/Extrastruggle

Extrastruggle is an enormous project which began in 1997. It works on imaginary demands from imaginary customers. Just like a graphic designer designing a logo for a client, it designs …

Dissecting the Social Self: A [Wo]Man, an Animal, and an Ambiguous “I.”

Dissecting the Social Self: A [Wo]Man, an Animal, and an Ambiguous “I.”

At the turn of December and January, the myriad summaries and best-of lists of the past year I browse through coincide with a more personal check-up. There is no better …

Teaching with Contemporary Art

Working with Violent Images

Teaching with Contemporary Art

Working with Violent Images

Only a few days ago I was all set to write a post that highlighted the plight of Curtis Acosta, an Arizona teacher who finds himself in the position of …

Negotiating an Artistic Practice in a Capitalist Ecology: An Interview with Anne Elizabeth Moore

Negotiating an Artistic Practice in a Capitalist Ecology: An Interview with Anne Elizabeth Moore

This introduction is short. Anne Elizabeth Moore gave such thorough answers, it seemed more important to let those stand than offer an interpretation of her merit. Safe to say having …

John Baldessari’s “Your Name in Lights”

John Baldessari’s “Your Name in Lights”

You.  Got to have flash and flare or your name in lights, right?! Well, John Baldessari aims to make it happen.  He is looking for people who want their name …

5 Questions for Contemporary Practice

5 Questions (for Contemporary Practice) with Nato Thompson

5 Questions for Contemporary Practice

5 Questions (for Contemporary Practice) with Nato Thompson

I am a bit late coming to the curatorial work of Nato Thompson, which first became recognizable to me at this past October’s second annual Creative Time Summit, a gathering …

Connecting – Part 3: Ceci n’est pas une Twinkie

Connecting – Part 3: Ceci n’est pas une Twinkie

I asked Pamela Johnson about other people who had encountered the massive Girl Scout cookies or cheese and cracker Handi Snacks™, eager to know how they were received and processed …

Connecting – Part 2: Useful Junk

Connecting – Part 2: Useful Junk

Sometime in September of 2006, I came across the paintings of Pamela Michelle Johnson, vaguely oppressive canvases dominated by clouds of slate and steel gray, foregrounds indistinguishable from back, and expanses …

Ink: Notes on the Contemporary Print

Ink | Notes from Underground: William Powhida

Ink: Notes on the Contemporary Print

Ink | Notes from Underground: William Powhida

The contemporary art fair Art Basel Miami Beach takes place this week, bringing with it a flurry of activity.  In the spirit of participation, Ink is dedicated this month to …

Art 2.1: Creating on the Social Web

Translating Ai Weiwei: Bringing Chinese Social Media Art to the English Twittersphere, Part 2

Art 2.1: Creating on the Social Web

Translating Ai Weiwei: Bringing Chinese Social Media Art to the English Twittersphere, Part 2

Ai Weiwei. Sunflower Seeds, 2010. Installation view, Turbine Hall, Tate Modern, London. Photo courtesy of Aaron Chen. An Xiao follows up on yesterday’s post and continues her discussion with Bird’s …

Art 2.1: Creating on the Social Web

Art 2.1 | Translating Ai Weiwei: Bringing Chinese Social Media Art to the English Twittersphere, Part 1

Art 2.1: Creating on the Social Web

Art 2.1 | Translating Ai Weiwei: Bringing Chinese Social Media Art to the English Twittersphere, Part 1

Artist Ai Weiwei in conversation with Tate Modern curator Katie Hill, October 2010. Photo by An Xiao. This past summer, Jennifer Ng and I launched Bird’s Nest: Ai Weiwei in …

Gastro-Vision

Gastro-Vision: Food and Technology in an Art Lab

Gastro-Vision

Gastro-Vision: Food and Technology in an Art Lab

Last month, Eyebeam Art + Technology Center in New York turned their main exhibition space into X-Lab, a “living” work space where the public can interact with Eyebeam’s fellows and …

Going to California: David Wilson, Part 2

Going to California: David Wilson, Part 2

Albert Bierstadt bathed the Sierra Nevada in heavenly light while Ansel Adams photographed Half Dome as though it were on the moon. Many artists depict California’s natural features as mythic …

Going to California: David Wilson

Going to California: David Wilson

My hometown of Lafayette, California, encompasses a 925-acre nature area, the boundaries of which press up against the town’s suburban roads and cul-de-sacs like a face against glass. When I …

Flash Points

Art Under the Influence of Others

Flash Points

Art Under the Influence of Others

In 1996, Jennifer Ringley took a video camera and placed it on her computer.  The camera was nothing new: a simple web camera with light broadcasting capabilities.  She signed on, …

Center Field: Art in the Middle with Bad at Sports.

Center Field | Is Locale Needed? Netart in the Midwest

Center Field: Art in the Middle with Bad at Sports.

Center Field | Is Locale Needed? Netart in the Midwest

Since moving away from Chicago this past summer, I’ve seen how Chicago and the Midwest have influenced my work, as well as  my work ethic. The spirit of experimentation and …

Going to California

Going to California

Many people in the East … have been to Los Angeles or to San Francisco, have driven through a giant redwood and have seen the Pacific glazed by the afternoon …

Bruce High Quality Foundation University

Bruce High Quality Foundation University

The popularity of fine art university training over the past few decades (thanks to various factors such as the G.I. Bill and the promise of success through an inflated art …

5 Questions for Contemporary Practice

5 Questions with Carin Kuoni of the Vera List Center for Art and Politics

5 Questions for Contemporary Practice

5 Questions with Carin Kuoni of the Vera List Center for Art and Politics

For six years, Carin Kuoni has been director of the Vera List Center for Art and Politics at The New School in New York City. I wanted to pose my …

Interview with Seth Wulsin

Interview with Seth Wulsin

This is the second of three posts by Daniel Quiles that are loosely based around contemporary art from/in Latin America. — Ed. Born in 1981 in Spring Valley, New York, …

Teaching with Contemporary Art

Hard Conversations (Exploring Inequality)

Teaching with Contemporary Art

Hard Conversations (Exploring Inequality)

In the New York Times last week, Nicholas Kristof reported that the richest 1 percent of Americans now take home almost 24 percent of the income, up from 9 percent …

Lives and Works in Berlin

Lives and Works in Berlin: Feathers, Magic Mushrooms and Bicycle Tours

Lives and Works in Berlin

Lives and Works in Berlin: Feathers, Magic Mushrooms and Bicycle Tours

Bundle up, Berlin: winter is almost here, and it might be a long one, again. If you haven’t fallen prey to the sniffling, the sneezing, the nose-blowing and coughing, germ-spreading …