Archive

Yearly Archives: 2013

Teaching with Contemporary Art

You Say You Want Evolution: Looking Backward and Forward with Portfolios

Teaching with Contemporary Art

You Say You Want Evolution: Looking Backward and Forward with Portfolios

Similar to in-progress critiques, portfolio reflections and evaluations do not have to arrive at the end of things. Utilized during the course, it allows for both looking back and looking forward.

Staff Pick

Staff Pick: Geo Wyeth

Staff Pick

Staff Pick: Geo Wyeth

Ever since Geo Wyeth‘s electrifying performance at New York’s Kate Werble Gallery, I’ve had his haunting song, “At The End We Listen,” on repeat. It’s so good that I’ve braved the G train twice to see him …

Word is a Virus

Night Papers

Word is a Virus

Night Papers

Carol Cheh reports on an L.A.-based literary journal that “has the look and feel of a humble neighborhood rag” but is filled with “surprising moments.”

Rashid Johnson. "Black Steel in the Hour of Chaos," 2008. Blackened gunmetal steel. Courtesy the artist and the High Museum of Art, Atlanta, GA. Photo by Nettrice Gaskins.

Art21 New York Close Up

Weekly Roundup

Art21 New York Close Up

Weekly Roundup

Rashid Johnson, James Turrell, Mike Kelley, Cindy Sherman, and more.

Art21 Extended Play

Exclusive | Trenton Doyle Hancock, Ten Years Later

Art21 Extended Play

Exclusive | Trenton Doyle Hancock, Ten Years Later

In Art21’s latest “Exclusive,” artist Trenton Doyle Hancock talks about life changes and how his work has evolved.

Gimme Shelter: Performance Now

A Brief History of Sacrifice

Gimme Shelter: Performance Now

A Brief History of Sacrifice

Columnist Marissa Perel considers the lives of four women who “emerged from a modernist, male-centered art world” and “redefined studio art.”

Travelogue Entry No. 2: Nouvelles de Paris

Travelogue Entry No. 2: Nouvelles de Paris

Reporting from Paris, Blogger-in-Residence Natalie Musteata visits the solo exhibitions of Lorna Simpson, Ahlam Shibli, Simon Hantaï, and Mike Kelley.

Art in the After

Art in the After

Crys Moore writes about her experience working with the late artist Beatriz da Costa and asks, how does one continue an artist’s work posthumously?

Year Five of Art21 Educators: Becca Belleville and Eric Pugh

Year Five of Art21 Educators: Becca Belleville and Eric Pugh

This week, we are excited to present Art21 Educators Becca Belleville and Eric Pugh of Baltimore, Maryland.

New Kids on the Block

All Who Muster with Allison Smith

New Kids on the Block

All Who Muster with Allison Smith

The Civil War remains one of the most poignant periods of American history, perpetuated by reenactments and examined by artist Allison Smith.

Raymond Pettibon. "No Title (Safe he called…)," 2010. Courtesy the artist, the High Line and David Zwirner, New York/London.

Art21 New York Close Up

Weekly Roundup

Art21 New York Close Up

Weekly Roundup

Raymond Pettibon quotes rapper Notorious B.I.G., Ai Weiwei pitches 1,000 tents, Paul McCarthy has multiple exhibitions in New York City, and more.

Art21 New York Close Up

NYCU | Eddie Martinez’s Risky Business

Art21 New York Close Up

NYCU | Eddie Martinez’s Risky Business

In a new “New York Close Up” film, artist Eddie Martinez discusses the motivation to shift his paintings from Pop-like figurations to pared down abstractions.

Travelogue Entry No. 1: On and Off the Beaten Track in Europe

Travelogue Entry No. 1: On and Off the Beaten Track in Europe

Blogger-in-Residence Natalie Musteata reports on Nottingham Contemporary, one of the largest contemporary art spaces in the UK, and “the real gem” of her recent visit.

Teaching with Contemporary Art

Size Matters

Teaching with Contemporary Art

Size Matters

Teaching students about scale in a work of art is “a tricky thing for art educators.”

Staff Pick

Staff Pick: Rain Room

Staff Pick

Staff Pick: Rain Room

Development Associate, KC Forcier,

Sight Unseen: Tim Hetherington’s Portraits of the Blind

Sight Unseen: Tim Hetherington’s Portraits of the Blind

“Tim Hetherington frames the blind in a visual purgatory between extremes: posed or disturbed, drenched in light or enshrouded in darkness.”

June Blogger-in-Residence | Natalie Musteata

June Blogger-in-Residence | Natalie Musteata

Introducing Art21’s Blogger-in-Residence for the month of June.

Flooded

Flooded

In her final post as Blogger-in-Residence, Danielle Sommer takes us to the center of Robert Smithson’s canonical work of land art, “Spiral Jetty.”

Lari Pittman, Untitled #11, 2003. Matte oil, aerosol lacquer, and Cel-Vinyl on gessoed canvas, 76 x 102 inches. Courtesy Regen Projects, Los Angeles, and Thomas Dane Gallery, London © Lari Pittman.

Art21 New York Close Up

Weekly Roundup

Art21 New York Close Up

Weekly Roundup

Lari Pittman arrives in the Midwest, Alfredo Jaar revisits Venice Biennale, Kalup Linzy casts Michael Stipe, David Altmejd explores paradise, and Marina Abramović appears in an opera.

Art21 Extended Play

Exclusive | Robert Mangold and Sol LeWitt, Security Guards at MoMA

Art21 Extended Play

Exclusive | Robert Mangold and Sol LeWitt, Security Guards at MoMA

Robert Mangold on his friendship with the late Sol LeWitt and working as a security guard at the Museum of Modern Art in the 1960s.

Teaching with Contemporary Art

Year Five of Art21 Educators: Lynn Grimes and Carol Barker

Teaching with Contemporary Art

Year Five of Art21 Educators: Lynn Grimes and Carol Barker

This week, we are pleased to spotlight the first of this year’s selected educators.

Center Field: Art in the Middle

Heather Mekkelson and the Flood That Never Came

Center Field: Art in the Middle

Heather Mekkelson and the Flood That Never Came

Columnist Caroline Picard reflects on a 2008 installation by Heather Mekkelson and the stories of disaster conveyed by the artist’s distressed objects.

Ellen Gallagher. "Deluxe 2004–5 (detail, Wiglette)." Courtesy Tate Modern. © Ellen Gallagher

Art21 New York Close Up

Weekly Roundup

Art21 New York Close Up

Weekly Roundup

Ellen Gallagher plays on black vernacular, John Baldessari considers crowds, William Wegmen displays vintage prints, and more…

Art21 New York Close Up

NYCU | Erin Shirreff & Tony Smith Go Way Back

Art21 New York Close Up

NYCU | Erin Shirreff & Tony Smith Go Way Back

In a new “New York Close Up” film, artist Erin Shirreff discusses sculptor Tony Smith as an inspiration for a pair of works, including a 2011 commission for Public Art Fund.

100 Artists: Julie Mehretu

100 Artists: Julie Mehretu

On the occasion of Julie Mehretu’s new solo exhibition, and Art21’s ongoing “100 Artists” celebration, we release a new text interview with the artist.

Praxis Makes Perfect

Welcome to the Funhouse: Mike Kelley’s “Mobile Homestead”

Praxis Makes Perfect

Welcome to the Funhouse: Mike Kelley’s “Mobile Homestead”

“Mobile Homestead,” a project by the late Mike Kelley, has a new permanent home in Detroit. Columnist Erin Sweeny revisits this “fitting tribute” to the artist.

Teaching with Contemporary Art

The Changing Shape of Teamwork

Teaching with Contemporary Art

The Changing Shape of Teamwork

Back in October, 2009 I wrote a post called Teamwork which focused on the fact that, as educators, we often have to work creatively with others in order to construct meaningful, age-appropriate and fun lessons. The best lessons and units of study are often the product of people working together, including educators, community members, parents, and of course students. When I look back just four years ago I realize that my experience with collaboration has changed and evolved into other forms.

To Know Is to Touch and Be Touched

To Know Is to Touch and Be Touched

In her third post on the theme of hindsight, Danielle Sommer considers the “confusing” cataloguing system of German art historian Aby Warburg.

Word is a Virus

Public Fiction: The Play’s the Thing

Word is a Virus

Public Fiction: The Play’s the Thing

Public Fiction, an exhibition and event space in Los Angeles, hosts events that “provide constant stimuli” but “the journals really are the gems of the project.”

Credit: Kerry James Marshall, Garden of Delights, 2013 (detail). Mixed media. Courtesy the artist and Jack Shainman Gallery, New York.

Art21 New York Close Up

Weekly Roundup

Art21 New York Close Up

Weekly Roundup

This week, Kerry James Marshall presents new work, Matthew Barney discusses his career, Mariah Robertson shows photographs at MoMA, and more.

Art21 Extended Play

James Turrell Revisits “Second Meeting”

Art21 Extended Play

James Turrell Revisits “Second Meeting”

“When sitting inside Second Meeting you’re not only looking at the sky—you’re also observing how your eyes and mind perceive color.”

Looking at Los Angeles

Escaping the Corporate Frame

Looking at Los Angeles

Escaping the Corporate Frame

More than 40 years ago James Turrell and Robert Irwin teamed up on a “hair-raising” art and technology initiative. Columnist Catherine Wagely looks back.

Connecting Teachers and Artists: Year Five of Art21 Educators

Connecting Teachers and Artists: Year Five of Art21 Educators

Announcing twelve exceptional new teachers in the Art21 Educators program.

Pulling Things Forward

Pulling Things Forward

“…the clumsiest narratives are often the narratives that assume prescribed movement from A to B. “

New Kids on the Block

“Mapping Soulville” with Aisha Cousins

New Kids on the Block

“Mapping Soulville” with Aisha Cousins

Mapping the life of Malcolm X at the intersection of New York’s past and present. #Art #Community #Change

Jeff Koons. "Antiquity 3," 2009–11. Oil on canvas 102 x 138 inches. Courtesy the artist and Gagosian New York.

Weekly Roundup

Weekly Roundup

Jeff Koons layers ancient sculptures and popular images, Charles Atlas collaborates with sound artists, Ai Wei Wei explores medical disaster in Hong Kong, and more.