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“Art in the Twenty-First Century” Premieres Next Week, Laleh Khorramian Gets Mad at Art & More

Zanele Muholi photographs a subject for her ongoing series “Faces and Phases.” Production still from the Art in the Twenty-First Century Season 9 episode, “Johannesburg.” © Art21, Inc. 2018.

The new season of Art in the Twenty-First Century is premiering one week from Friday on PBS. Continuing the thematic focus introduced in the previous season, the ninth installment of the series will investigate artists’ relationships with the places where they create: Berlin, Johannesburg, and the San Francisco Bay Area.

The first episode, premiering September 21 at 9 p.m. (check local listings), is Johannesburg, featuring artists David Goldblatt, Nicholas Hlobo, Zanele Muholi, and Robin Rhode. Collectively, the artists use their work to empower marginalized communities, reexamine history, and pursue their visions for South Africa’s future. Premiering directly after at 10 p.m, is Berlin, an film about a city that has long been a haven for artists. Featuring Nathalie Djuberg & Hans Berg, Olafur Eliasson, Hiwa K, and Suan Philipsz, the episode will explore the diversity of practices and sensibilities that can be found in the German capital. Finally, the San Francisco hour premieres the following week, September 28 at 9 p.m. (check local listings). Together, Creative Growth Art Center, Katy Grannan, Lynn Hershman Leeson, and Stephanie Syjuco reveal the city as a magnet for artists seeking an experimental atmosphere.

Full episodes and segments can be streamed on Art21.org, on PBS.org, and on PBS streaming platforms after the premiere of each hour. But you can watch preview segments for all the featured artists now.


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The Artist Speaks

In an interview with The Creative Independent, artist Laleh Khorramian discussed her practice, the reasons why she left New York City, and her multidisciplinary approach to art. When asked about her methods for surviving in the world as a creative person, she said:

“I just don’t feel like I have to prove the same things. Life is hard enough.”

“The things I felt like I had to prove before, I don’t feel the same way about. Not that I think I have to subject or want to subject anyone to art that’s shitty or not thought-out or meaningful or something. I just don’t feel like I have to prove the same things. Life is hard enough.

That’s why I was also mad at art for a while. It was just too emotionally demanding, and I needed to step away and do something that wasn’t as emotionally consuming, and that’s why I was sewing. Sewing was a reprieve. And I am in love with sewing. It’s steady, it’s graceful, and it can be full of invention.”

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