Fall 2019 Issue "Deep Fake" Go to Issue
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Lee Plested

Contributor
Lee Plested is a curator based in Vancouver, BC, and Bellingham, WA. Plested is currently the director of Griffin Art Projects, in North Vancouver, a private foundation that hosts exhibitions from private collections. He is adjunct faculty at Western Washington University, Bellingham, where he organized the exhibition Primary Research Lab in the summer of 2016, an exhibition project that looked at the minimalist and post-minimalist works from the collection. He recently presented an exhibition of Lewis Baltz portfolios, which opened at Griffin Art Projects in February 2017 and is currently researching their September exhibition of paintings, drawings and sculpture by Paul P.

Articles by Lee Plested

An inner truth

by Lee Plested | Jul 6, 2017

An inner truth

by Lee Plested | Jul 6, 2017

Curator Lee Plested and Anishnabe Ojibwa artist Charlene Vickers uncover the complexities of displaying indigenous work.

Painter/Protagonist: Steven Shearer at The Brant Foundation

by Lee Plested | Dec 30, 2016

Painter/Protagonist: Steven Shearer at The Brant Foundation

by Lee Plested | Dec 30, 2016

Guest editor Lee Plested reviews Vancouver artist Steven Shearer’s exhibition, on view at the The Brant Foundation in Greenwich, Connecticut.

On View Now

Ambivalent Pleasures: A Conversation with Jesse McKee

by Lee Plested | Dec 12, 2016

On View Now

Ambivalent Pleasures: A Conversation with Jesse McKee

by Lee Plested | Dec 12, 2016

Guest editor Lee Plested interviews curator Jesse McKee, who organized the Vancouver Art Gallery’s current survey of local practices, “Ambivalent Pleasures.”

Letter from the Editor

Letter from the Editor: Lee Plested

by Lee Plested | Nov 3, 2016

Letter from the Editor

Letter from the Editor: Lee Plested

by Lee Plested | Nov 3, 2016

Curator Lee Plested joins Art21 Magazine as guest editor for the final 2016 issue, “Place Part II,” investigating notions of place with an emphasis on the art and artists in Vancouver and Chicago.

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Fall 2019 Issue
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