Tag Archives: Museum of Modern Art
Ink: Notes on the Contemporary Print
Ink | The State of the Art is Elsewhere: “Print/Out” at The Museum of Modern Art
Ink: Notes on the Contemporary Print
Ink | The State of the Art is Elsewhere: “Print/Out” at The Museum of Modern Art
Sarah Kirk Hanley reviews a new MoMA exhibition surveying the state of the contemporary print medium.
Ink: Notes on the Contemporary Print
Ink | The Birth of the Underground: Fluxus Editions
Ink: Notes on the Contemporary Print
Ink | The Birth of the Underground: Fluxus Editions
Fluxus, an international counter-culture collective of artists, musicians, and designers, was formed 50 years ago in 1961/2. Its goals were laid out in the 1963 offset lithograph Fluxus Manifesto (on …
Ink: Notes on the Contemporary Print
Art21 William Kentridge: Anything is Possible
Ink | Notes from a Transforming Democracy: South African Prints
Ink: Notes on the Contemporary Print
Art21 William Kentridge: Anything is Possible
Ink | Notes from a Transforming Democracy: South African Prints
As interest in William Kentridge’s work has grown over the past decade, so has interest in South African art as a whole. Printmaking is a central component of the cultural …
No Preservatives: Conversations about Conservation
Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill
No Preservatives: Conversations about Conservation
Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill
IMA conservator Richard McCoy talks with former IMA curator and current MIT PhD student Rebecca Uchill about the creation of the IMA’s Variable Art Team and the evolving roles of those that care for contemporary art.
No Preservatives: Conversations about Conservation
Concepts Around Interviewing Artists: a Discussion with Glenn Wharton
No Preservatives: Conversations about Conservation
Concepts Around Interviewing Artists: a Discussion with Glenn Wharton
IMA conservator Richard McCoy discusses the methodology and the process of interviewing artists with MoMA conservator Glenn Wharton.