EXCLUSIVE: Iñigo Manglano-Ovalle at home in Chicago, with photographs of the installation The Garden of Delights (1998) at the XXIV Sao Paulo Bienal.
Iñigo Manglano-Ovalle’s technologically sophisticated works use natural forms such as clouds, icebergs, and DNA as metaphors for understanding social issues such as immigration, gun violence, and human cloning. The artist’s strategy of representing nature through information leads to an investigation of the underlying forces that shape the planet as well as points of human interaction and interference with the environment.
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