BOMB in the Building

BOMB is (back) in the building

Richard Prince, "Untitled (LuAnne)," 2009

Richard Prince, "Untitled (LuAnne)," 1983

After a hiatus, we (the folks from BOMB Magazine) are back to resume our fun and educational guest blogging. We’ll be chiming in once a month with some cool stuff that we hope you’ll like.

For those of you in New York, Rhys Chatham will be performing “Guitar Trio” tonight (April 24th) at 6pm as part of the exhibition The Pictures Generation at the Metropolitan Museum of Art. Here’s a video of a past performance if you’re not aware of, or haven’t witnessed, the awesome glory of “Guitar Trio”:


The Pictures Generation exhibition is a massive survey of a group of artists who were using photography in their work between 1974 and 1984, and includes BOMB interviewees: Richard Prince, Sarah Charlesworth, Laurie Simmons, Cindy Sherman, Barbara Kruger, and James Casebere. Kruger and Simmons have also been covered by our lovely hosts, Art21.

There’s a good explanation of who exactly the pictures generation is/was here. Also, Charlesworth and Kruger made a piece called Glossolalia specifically for BOMB’s issue 5 that includes images from many members of this group.

The new generation is shaped by its exposure to YouTube, and Kalup Linzy is one of their leaders. His show at the Studio Museum in Harlem is up until June 28th. If you’re not familiar with Linzy, here’s one of his original video pieces:


Christopher Durang’s Why Torture is Wrong, and the People Who Love Them has been extended through the first weekend of May at the Public Theater.

And in the spirit of torture, sometimes things are just better in song:


In closing, we want to encourage you to get out there and buy magazines, lots of magazines! Shockingly, even in the age of the internets, people are still starting new ones! Here are two that caught our eye: Gigantic (co-founded by intrepid former BOMB intern and current BOMBlogger Annie DeWitt), and Meatpaper (as you’d expect—a magazine dedicated to meat in all its glory).