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Do Ho Suh.  Fallen Star (sketch), 2011. Courtesy of the artist and The Stuart Collection, University of California, San Diego.

Do Ho Suh. "Fallen Star (sketch)," 2011. Courtesy the artist and The Stuart Collection, University of California, San Diego.

In this week’s roundup Do Ho Suh addresses displacement and “home,” Bruce Nauman finds inspiration in Native America, Jason Schwartzman celebrates John Baldessari, and more.

  • Do Ho Suh‘s Fallen Star is under construction at The Stuart Collection, University of California San Diego.  Fallen Star takes the form of a small house that has been picked up by some mysterious force, (perhaps a tornado) and “landed” on a building, seven stories up.  A roof garden is part of Suh’s design and will be a place with panoramic views for small groups to gather.  This can be seen as a “home” for the vast numbers of students who have left their homes to come to this huge institution, the university, which has nothing even resembling a home. A video detailing the installation process was commissioned by The Stuart Collection:
  • Alfredo Jaar is one of a several participating artists whose works are on view in Being American at the School of Visual Arts’ Visual Arts Gallery (NYC).  The exhibition surveys responses by visual artists to some of the most pressing social issues in America today: from recent environmental catastrophes to the pervading effects of the economic crisis; from the long shadow of 9/11 and two overseas wars to the homefront debates surrounding religious tolerance, gay marriage, capital punishment and firearms possession.  This show closes December 21.
  • Allora & Calzadilla’s third solo show, Vieques Videos 2003-2011, is on view at the Lisson Gallery in London. The artists contributed to the visual culture of this campaign with a long-term, multi-sited project entitled Landmark, which is informed by the following questions: “How is land differentiated from other land by the way it is marked? Who decides what is worth preserving and what should be destroyed? What are strategies for reclaiming marked land? How does one articulate an ethics and politics of land use?”  This show can be seen through January 14, 2012.
  • Drawings, an exhibition at the Gagosian Gallery (Paris) introduces two new series of work by Richard Serra, July and Rifts. This is Serra’s first major drawing exhibition in Paris since 1995 and “provides a space, a place for me to go to where I can concentrate on an activity that is satisfying in and of itself,” says the artist.  This work is on view until January 7, 2012.


  • Louise Bourgeois: The Spider, The Mistress and the Tangerine was screened on Tuesday December 4 at Cornell University’s Willard Straight Theatre (Ithaca, NY).This documentary features extensive footage of Louise Bourgeois and was directed by art historian Amei Wallach and art documentarian Marian Cajori. It captures Bourgeois, a lifelong feminist, constructing some of her most influential installations.


  • Krzysztof Wodiczko‘s works are currently on view at WORK (London).  The gallery is currently showing Krzysztof Wodiczko: The Abolition of War, an exhibition that invites the public to reconsider their understanding of the impact of war on veterans who have fought (or worked as medics) in Iraq and Afghanistan.  The two featured projects, The Flame and War Veteran Vehicle, bring into focus the post-traumatic condition experienced by returning soldiers from Iraq and Afghanistan. Both are based on a set of interviews conducted by the artist with anonymous war veterans and their families.  This show is on view until January 14, 2012.
  • Maya Lin spoke to a packed audience on October 24, 2011 in Mies’ S. R. Crown Hall, home of the Illinois Institute of Technology‘s College of Architecture. Lin spoke about environmental conservation and her ambitious landscape artworks. Check out this video for the full lecture.

  • Paul McCarthy is currently exhibiting in London’s St James’s Park and at two Hauser & Wirth galleries. In a video posted by The Guardian, Adrian Searle discusses The King, an installation that pokes fun at ideas of self-aggrandisement and debunks the myth of the male artist as hero.



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