Weekly Roundup

Robert Adams. Pikes Peak, Colorado Springs, Colorado, 1969. Photo courtesy the artist.

Robert Adams. "Pikes Peak, Colorado Springs, Colorado," 1969. Photo courtesy the artist.

In this week’s roundup a Robert Adams retrospective, a Mike Kelley tribute, an honor for Ursula von Rydingsvard, a first for Laylah Ali’s Greenheads series, and more.

  • Robert Adams: The Place We Live, A Retrospective Selection of Photographs is on view at the Yale University Art Gallery (New Haven, CT).  Featuring over 200 photographs, this retrospective traces more than 45 years of work by Robert Adams, including his work on the suburbs of Colorado, his portrayal of southern California, and his recent meditations on the endangered landscape of the Pacific Northwest. The show runs through October 28.
  • Mike Kelley 1954 – 2012, a tribute exhibition at The Watermill Center in New York, includes selected soundtracks from The Poetics, Mike Kelley’s art punk band, and videos by Kelley dating from 1978–1986. The various pieces in different media include models and banners from an initial Kandor-Con 2000 installation, seven large-scale projections (2007), one of the sculptures with video projection of Kandors (2007) and Kelley’s last performance video, Vice Anglais (2011). This work is on view through September 16 and can be seen by appointment only.
  • Laylah Ali: The Greenheads Series will be presented at the Williams College Museum of Art (Williamstown, MA). The show includes over forty of Laylah Ali‘s gouache paintings—created between 1996 and 2005—that will be shown for the first time as a comprehensive body of work. The WCMA exhibition runs from August 18–November 25.
  • Hiroshi Sugimoto will present a collection of his portraits of Henry VIII and his six wives at Sudeley Castle (Winchcombe, Gloucestershire). The show is in honor of the 500th anniversary of the birth of Queen Catherine Parr. The seven photographs feature wax figures staged and lit like Renaissance portraits and are drawn from Sugimoto’s Portraits series, which was commissioned by the Deutsche Guggenheim Museum in 1999.
  • Do-Ho Suh‘s Bridging Home, an outdoor installation originally commissioned for the Liverpool Biennial in 2010, will be part of Roundtable: 9th Gwangui Biennale at the Tate Modern. Made of a steel structural frame and finished with marine plywood, this structure was installed at an angle to highlight the sense of tension between the traditional Korean architecture of the miniature house and the more British architecture of its neighbors. This work will be on view September 7 – November 11.
  • Sally Mann: Upon Reflection will be at the Edwynn Houk Gallery (NYC) and features an exhibition of new photographic self-portraits by Sally Mann. The artist will showcase a new technique based on 19th century processes but that incorporates a modern sensibility. The show runs September 13–November 3.
  • Behind the Scenes Barry McGee at BAM/PFA covers Barry McGee‘s new installation in progress at the UC Berkeley Art Museum and Pacific Film Archive (San Francisco). This mid-career survey will span over three decades of work, from spray painted objects to a myriad of rainbow geometric patterns. McGee is currently artist-in-residence as he prepares for this exhibition, which will tour to the Institute of Contemporary Art, Boston next spring. This exhibition will run August 24–December 9.
  • Krzysztof Wodiczko: Abraham Lincoln: War Veteran Projection will be presented by Galerie Lelong and More Art later this year. This marks a return of sorts to Union Square for Krzysztof Wodiczko, who in 1986 developed Homeless Projection: A Proposal for Union Square. For his new project, slated to begin on November 9, approximately 30 veterans will animate the statue of Abraham Lincoln with their stories in the now commercially-thriving and historically civic center of Union Square.