Writer-in-Residence

Writer-in-Residence

Testament to Long Loves

Writer-in-Residence

Testament to Long Loves

Writer-in-Residence Mimi Cheng uncovers the love and loss explored in Christina P. Day’s exhibition “Stills and Composites,” on view through December 16, 2016 at CUE Art Foundation.

Writer-in-Residence

New Works by Marilyn Lerner: A Sustained Spontaneity

Writer-in-Residence

New Works by Marilyn Lerner: A Sustained Spontaneity

In this essay, Writer-in-Residence Anna Tome explores the rich abstracted colors in Marilyn Lerner’s exhibition “Harmonies,” closing next week at CUE Art Foundation.

Writer-in-Residence

The Feminist Legacy in Radical Plastic

Writer-in-Residence

The Feminist Legacy in Radical Plastic

In this essay, Writer-in-Residence Maggie Davis explores the feminist inspirations for the exhibition “Radical Plastic,” opening Saturday.

Writer-in-Residence

Erin Dunn: Animating the Pine Barrens

Writer-in-Residence

Erin Dunn: Animating the Pine Barrens

In this essay, ART21/CUE Writer-in-Residence Rachel Heidenry explores the process and motivations behind the exhibition “Erin Dunn: Oceanic Dancer.”

Writer-in-Residence

Bearing Witness

Writer-in-Residence

Bearing Witness

In this essay, ART21/CUE Writer-in-Residence Jessica Lynne describes the nuances in Kambui Olujimi’s exhibition, “Solastalgia.”

Writer-in-Residence

The Ghosts Unearthed in the Films of Bill Morrison

Writer-in-Residence

The Ghosts Unearthed in the Films of Bill Morrison

Writer-in-Residence Brienne Walsh looks at the contemporary digital narratives of filmmaker Bill Morrison.

Writer-in-Residence

Ernst Fischer “18%”

Writer-in-Residence

Ernst Fischer “18%”

Brienne Walsh provides a preview of Ernst Fischer’s forthcoming exhibition at CUE Art Foundation.

Writer-in-Residence

Corruptible

Writer-in-Residence

Corruptible

Writer and artist Stephanie Barber considers varied meanings of the word public through the allusive medium of found photographs.

Writer-in-Residence

Dina Kelberman’s I’m Google

Writer-in-Residence

Dina Kelberman’s I’m Google

ART21 + CUE writing fellow Stephanie Barber on the work of Baltimore-based artist Dina Kelberman.

Writer-in-Residence

The Future of Mesh Networks: An Interview with Dan Phiffer

Writer-in-Residence

The Future of Mesh Networks: An Interview with Dan Phiffer

In his final interview for the “Future” issue, writer-in-residence Ben Valentine talks to artist Dan Phiffer about the challenges of building alternatives to the Big Internet.

Writer-in-Residence

The Future of Mapping: An Interview with Clement Valla

Writer-in-Residence

The Future of Mapping: An Interview with Clement Valla

Ben Valentine talks to new media artist and RISD professor Clement Valla about contemporary mapping technologies.

Writer-in-Residence

The Future of Social Media: An Interview with Simone C. Niquille

Writer-in-Residence

The Future of Social Media: An Interview with Simone C. Niquille

Writer-in-residence Ben Valentine continues his technology series by interviewing designer and researcher Simone C. Niquille, whose “bold style addresses important issues of our time.”

Writer-in-Residence

Drones: An Interview with Ingrid Burrington

Writer-in-Residence

Drones: An Interview with Ingrid Burrington

Ben Valentine kicks off his ART21 writing residency by interviewing artist, designer, and writer Ingrid Burrington who investigates the Internet and surveillance technologies.

Writer-in-Residence

A Quiet Kind of Act

Writer-in-Residence

A Quiet Kind of Act

In her final piece for the “Value” issue, writer-in-residence Elizabeth Devlin profiles Boston-based community quilter Clara Wainwright.

Writer-in-Residence

Intangible Possessions

Writer-in-Residence

Intangible Possessions

Elizabeth Devlin on how “digital media redefines our perceptions of ownership.”