EXCLUSIVE: Iñigo Manglano-Ovalle’s film Oppenheimer (2003) and mural Time (2003) installed at the Rochester Art Center, Minnesota.
Iñigo Manglano-Ovalle’s technologically sophisticated works use natural forms such as clouds, icebergs, and DNA as metaphors for understanding social issues such as immigration, gun violence, and human cloning. The artist´s strategy of representing nature through information leads to an investigation of the underlying forces that shape the planet as well as points of human interaction and interference with the environment.
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