Weekly Roundup

Paul McCarthy, "(White Snow) Dwarf Heads (detail)", 2009. Set of 7 drawings, pencil on vellum, tape. Courtesy Hauser & Wirth.

White Snow, a solo exhibition of work by Season 5 artist Paul McCarthy, opens at Hauser & Wirth, New York on November 5. The gallery will debut pieces from a new body of work that draws upon the famous 19th century German folk tale Snow White (Schneewittchen), and comments on Snow White and the Seven Dwarfs, Disney’s 1937 interpretation of the story. A reception will be held at the gallery on Thursday, November 4, 6-8pm.

McCarthy’s work is also on view at Dean Gallery in Edinburgh, Scotland. His 1995 video Painter, a satire of the artist as lonely genius in his studio, is shown next to the gallery’s permanent installation Paolozzi Studio, a recreation of Scottish artist Eduardo Paolozzi’s working space. By juxtaposing Painter and Studio, the gallery aims to “cast a second glance at how museums present the making of art.” Continues through February 14, 2010.

Opening November 17 at Hauser & Wirth, London, After Awkward Objects brings together works by Louise Bourgeois (Season 1), Lynda Benglis, and Alina Szapocznikow. The exhibition is inspired by Awkward Objects, a presentation of pioneering women artists at the Museum of Modern Art, Warsaw earlier this year.

Nexus New York: Latin/American Artists in the Modern Metropolis, at the newly remodeled El Museo del Barrio, highlights key artists from the Caribbean and Latin America who lived in New York City before World War II and participated in the development of the American avant-garde. A sculpture by Season 1 artist Pepón Osorio titled La Cama (The Bed) is pictured in the New York Times review. Nexus New York continues through February 28, 2010.

The first major exhibition of works by Jenny Holzer (Season 4) to be held in a Swiss museum is on view at The Fondation Beyeler through January 24, 2010. The exhibition includes important works from various phases of Holzer’s career, but focuses on recent works, some of which will be shown in Europe for the first time. In addition to the museum space, the exhibition will extend to the public, with light projections planned for buildings and sites in Basel and Zurich.

Moving in Place is an exhibition of 25 paintings by Season 3 artist Susan Rothenberg at the Museum of Modern Art Fort Worth, Texas. Though Rothenberg is best known for her horse paintings (the Obamas have borrowed one from the National Gallery of Art for the White House), the Modern’s Chief Curator, Michael Auping says, “Rather than focusing on Rothenberg’s famous early horse paintings as the beginning of a symbolic, figurative evolution, we are looking at the artist’s work from a more holistic, formal standpoint, identifying her unusual way of organizing pictorial space, regardless of the figurative content.” Continues through January 3, 2010.

Works by Gabriel Orozco (Season 2), Roni Horn (Season 3), Francis Alÿs, Peter Fischli and David Weiss, Rodney Graham, On Kawara, Thomas Nozkowski, Laura Owens, Dieter Roth, and Franz West are included the exhibition Continuous Present at Yale University Art Gallery. Sebastian Smee of the Boston Globe writes, “Everything that is most endearing about the current state of contemporary art and much that niggles rises to the surface of Continuous Present.” Read Smee’s review here.

Over the weekend, Krzysztof Wodiczko (Season 3) was also featured in the Boston Globe for his video installation, The Veterans Project, at the Institute of Contemporary Art (ICA), Boston. Wodiczko has focused on veterans engaged in active combat in Iraq, as well as Iraqi civilians, looking at their shared experience of chaos and confusion brought about by the war. On Veterans Day, November 11, ICA Director of Programs David Henry will moderate a discussion between Wodiczko and project participants.

Five Themes, a solo exhibition of work by Season 5 artist William Kentridge, opens at the Norton Museum of Art in Miami on November 7. This comprehensive survey gathers nearly 75 works of animated film, drawing, print, sculpture and other forms, and is structured around five primary themes in Kentridge’s work, such as apartheid and imperialism. Co-organized by the San Francisco Museum of Modern Art (SFMOMA), a web-based interactive for the exhibition is available on the SFMOMA website. Five Themes is on view at the Norton through January 17, 2010.

Nicole J. Caruth