Brrrrrr… it’s cold over here in NYC. I hope you all are staying warm wherever you are. Meanwhile, here’s What’s Cookin:
- Nicole Rounds Them Up! This week you’ll read about Tasmanian wolves, patented patterns, cartoon anthropomorphism, ancient mythology, portico projections, and a big gift…
- We’re back with Karthik Pandian on his voyage in the Wild West. In his second installment of this Grand Canyon Journal: Let’s Get Medievalist on this Crevassse gallop through the Arthurian points in which many parts of the canyon are named. Does the tip of Excalibur Tower, which is said to look like King Arthur’s legendary sword, contain the moment when its namesake was thrust into a soon-to-be-slain dragon? Does Guinevere Castle house a temporal room in which the Queen scandalously gave herself to Lancelot?
- Transcendent: Vija Clemins and Kimsooja| Teaching With Contemporary Art Columnist, Joe Fusaro was “recently I was engaged in a little debate about whether contemporary art can truly be transcendent — taking us beyond the range of normal perception to some place else, some place free from the constraints of the material world…
- A poised student who introduced himself as “born in 1990” commented that, while the photographs appealed to him because of their obvious skillfulness, he wanted to know what someone his age was supposed to take from work created years before his birth… Last November Catherine Wagley attended a panel discussion at LACMA on photographs of man-altered landscape. The images in question—coolly composed prints by Stephen Shore, Lewis Baltz, and Robert Adams, among others—all hailed from the 1970s. Read Catherine’s reflection on this panel discussion in her post Hollis Frampton Revival.
- Gastro Vision | Food in Contemporary Art and Visual Culture: The Fruit of Experience. Nicole gives us the scoop on the on Fallen Fruit Collective formed six years ago through a project by artists David Burns, Matias Viegener, and Austin Young for the Journal of Aesthetics and Protest.
- Remembering artist and friend Flo McGarrell
- VIDEO EXCLUSIVE | William Kentridge, Breathe. Shot in his Johannesburg studio in South Africa, William Kentridge reveals the process behind the video work Breathe — a component of the larger project (REPEAT) from the beginning / Da Capo (2008) that debuted at the Teatro La Fenice in Venice and at the nearby Fondazione Bevilacqua La Masa in San Barnaba, Italy.
- FLASHPOINTS: Art + the Environment Wrap Up. For the past few months, our blog discussion platform, Flash Points, has hosted a conversation on Art and the Environment. Together with our readers, we looked at how art reacts to the environment, and if it can be used as a way to contextualize and understand environmental concerns.
Pingback: | Art21 Blog