How does the life of a boxer compare to the life of an artist?
Brendan Carroll talks to midcareer artist Paula Hayes about how she cultivates a thriving studio practice and re-invests income to fund new work.
Brendan Carroll talks to emerging artist Sam Vernon about how money and earned income inform her aesthetic decisions inside and outside the studio.
Curator and collector Kianga Ellis discusses what she looks for in an artist’s work and her mission to connect artists and collectors via social media platforms.
What remains after the studio is gone? Creativity, possibility, and curiosity, says artist Vidal Centeno, who recently relinquished his studio space to cut expenses.
Brendan Carroll talks to Erin Riley-Lopez, Curator of the Freedman GAllery at Albright College, about how curators weather an uncertain job market during tough economic times.
Brendan Carroll talks to artist Amy Wilson about how she keeps her studio costs low and strives to live within her means.
Brendan Carroll talks to artist Marius Watz about the ramifications of being a digital artist in today’s art market.
Brendan Carroll talks to artist Jen Mazza about the impact that the global financial meltdown has had on both her sales and her studio practice.
Carroll talks to artist Angie Waller about her decision to make open-sourced, non-collectable work, and how she negotiates the dynamic between cost and labor without sacrificing creativity.
