Cahill’s “The Orphanage Project” is a sprawling discourse on the parental nation-state, pseudo-propaganda art, and the parallels between the museum and the orphanage.
What happens when a critic and artist collaborate on a work of art?
How do visual artists and writers engage one another in conversations from within their own mediums?
Westin reviews a new exhibition surveying the art of the 1980s that includes the work of numerous artists featured in “Art in the Twenty-First Century.”
How do artists use time as a material? The collaborative duo Cupola Bobber create epic, continually-unfolding projects that take years to complete.
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