Tag Archives: Printmaking
Art21 Extended Play
Brian Jungen: Printing Two Perspectives
Art21 Extended Play
Brian Jungen: Printing Two Perspectives
In a new Art21 “Exclusive,” artist Brian Jungen creates two-sided prints from archival newspaper clippings, revealing the lens of otherness through which Native people are frequently viewed.
Ink: Notes on the Contemporary Print
Ink | A Community of Printmakers at Manhattan Graphics Center
Ink: Notes on the Contemporary Print
Ink | A Community of Printmakers at Manhattan Graphics Center
Guest writing for Ink, Nicole Simpson walks us through the Manhattan Graphics Center, an artist-run space established in 1986.
Transmission
Transmission | An Interview with Niels Geybels: Sequences, Monoliths, and Beneath the Earth
Transmission
Transmission | An Interview with Niels Geybels: Sequences, Monoliths, and Beneath the Earth
Columnist Amelia Ishmael speaks with Antwerp-based visual artist, graphic designer, and musician Niels Geybels, whose various practices often overlap.
Ink: Notes on the Contemporary Print
Ink | On Perception: Katsutoshi Yuasa’s Woodcuts
Ink: Notes on the Contemporary Print
Ink | On Perception: Katsutoshi Yuasa’s Woodcuts
Sarah Kirk Hanley looks at the woodcuts of Katsutoshi Yuasa, whose first solo exhibition in the US is at the ISE Cultural Foundation in New York, through January 4th.
Ink: Notes on the Contemporary Print
Ink | Political Art for a Contentious Time
Ink: Notes on the Contemporary Print
Ink | Political Art for a Contentious Time
Following a trend that began with the Enlightenment, prints play a role in today’s political discourse by disseminating artists’ views and rallying the public.
5 Questions for Contemporary Practice
5 Questions for Contemporary Practice with Doug Ashford
5 Questions for Contemporary Practice
5 Questions for Contemporary Practice with Doug Ashford
Thom Donovan interviews Doug Ashford, who is widely known for his work with Group Material during the period 1983-1996.
Open Enrollment
Open Enrollment | Internships and the Graduate Student
Open Enrollment
Open Enrollment | Internships and the Graduate Student
Jenn Pascoe talks to Denise Carbone, head conservator at the American Philosophical Society, about graduate internships and their value for young professionals.
Ink: Notes on the Contemporary Print
Ink | Seriously Printeresting: An Interview with the Founders
Ink: Notes on the Contemporary Print
Ink | Seriously Printeresting: An Interview with the Founders
Sarah Kirk Hanley talks to the founders of Printeresting, a blog devoted to the art of printmaking and to printmaking miscellany.
Ink: Notes on the Contemporary Print
Ink | Jasper Johns’s Revolution in Print
Ink: Notes on the Contemporary Print
Ink | Jasper Johns’s Revolution in Print
Sarah Kirk Hanley reviews “Jasper Johns/In Press: The Crosshatch Works and the Logic of Print,” on view at Harvard Art Museums through August 18.
Ink: Notes on the Contemporary Print
Ink | Brilliance Under Pressure: Dana Schutz’s Monotypes at Gallery Met
Ink: Notes on the Contemporary Print
Ink | Brilliance Under Pressure: Dana Schutz’s Monotypes at Gallery Met
Sarah Kirk Hanley looks at Dana Schutz’s most recent body of work: a series of large watercolor monotypes created at Two Palms, New York.
Art21 Extended Play
Art21 William Kentridge: Anything is Possible
Exclusive | William Kentridge: Meaning
Art21 Extended Play
Art21 William Kentridge: Anything is Possible
Exclusive | William Kentridge: Meaning
In our latest Exclusive video, William Kentridge discusses how the physical activities of cutting, tearing and collaging generate ideas and infuse his work with meaning.
Ink: Notes on the Contemporary Print
Ink | The State of the Art is Elsewhere: “Print/Out” at The Museum of Modern Art
Ink: Notes on the Contemporary Print
Ink | The State of the Art is Elsewhere: “Print/Out” at The Museum of Modern Art
Sarah Kirk Hanley reviews a new MoMA exhibition surveying the state of the contemporary print medium.
Ink: Notes on the Contemporary Print
Ink | The Unabashedly Beautiful Prints of Helen Frankenthaler
Ink: Notes on the Contemporary Print
Ink | The Unabashedly Beautiful Prints of Helen Frankenthaler
The late Helen Frankenthaler’s contributions as a painter are renowned; Hanley argues that her achievements as a printmaker are equally important.
Ink: Notes on the Contemporary Print
Ink | Tales for Our Time: Amy Cutler’s Prints
Ink: Notes on the Contemporary Print
Ink | Tales for Our Time: Amy Cutler’s Prints
Fantastical narrative is a guiding principle for many artists who have come to prominence in the past decade; Amy Cutler and Dana Schutz are foremost among these. Both possess …
Bound: The Printed Object in Context
Bound | Municipal de Fútbol
Bound: The Printed Object in Context
Bound | Municipal de Fútbol
During the 1980s and ’90s, the city of Los Angeles saw its public spaces radically re-purposed. When the sun went down, strolling the streets and public parks of certain neighborhoods became …
5 Questions for Contemporary Practice
5 Questions for Contemporary Practice with Ben Kinmont
5 Questions for Contemporary Practice
5 Questions for Contemporary Practice with Ben Kinmont
This past month, I encountered Ben Kinmont’s work for the first time, appropriately enough at the Fales special collection in New York University’s Bobst library. Walking through the double …
Ink: Notes on the Contemporary Print
Ink | The Birth of the Underground: Fluxus Editions
Ink: Notes on the Contemporary Print
Ink | The Birth of the Underground: Fluxus Editions
Fluxus, an international counter-culture collective of artists, musicians, and designers, was formed 50 years ago in 1961/2. Its goals were laid out in the 1963 offset lithograph Fluxus Manifesto (on …
Teaching with Contemporary Art
Joy and Revolution: Talking with Adam Weiler of Ambrose, Part 2
Teaching with Contemporary Art
Joy and Revolution: Talking with Adam Weiler of Ambrose, Part 2
This week’s column follows up on last week’s post and features part two of my interview with Adam Weiler of Ambrose, an atypical after school club in Holland, Michigan. If …
Teaching with Contemporary Art
Joy and Revolution: Talking with Adam Weiler of Ambrose
Teaching with Contemporary Art
Joy and Revolution: Talking with Adam Weiler of Ambrose
If you’re not familiar with Ambrose, well…. you should be. A few months ago on a trip to work with teachers at the Holland Area Arts Council in Michigan I …
Ink: Notes on the Contemporary Print
Ink | Full Circle: Ann Hamilton’s Recent Editions
Ink: Notes on the Contemporary Print
Ink | Full Circle: Ann Hamilton’s Recent Editions
Ann Hamilton’s work is founded on the idea of the line – both in its material form as thread, fiber, and hair; and its conceptual form in written and drawn …
Inside the Artist's Studio
Inside the Artist’s Studio: Siemon Allen
Inside the Artist's Studio
Inside the Artist’s Studio: Siemon Allen
Siemon Allen is a South African artist who currently lives and works in the United States. He received his MFA from Natal Technikon (now Durban Institute of Technology) and was …
Ink: Notes on the Contemporary Print
Ink | The Possibilities of Paper Pulp
Ink: Notes on the Contemporary Print
Ink | The Possibilities of Paper Pulp
For this month’s edition of Ink, guest writer Nicole Simpson fills in for regular columnist Sarah Kirk Hanley. — Ed. During these hot days of summer, visions of ice cream, …
Ink: Notes on the Contemporary Print
Ink | Screening Wood: Jessica Stockholder at The Aldrich Contemporary Art Museum
Ink: Notes on the Contemporary Print
Ink | Screening Wood: Jessica Stockholder at The Aldrich Contemporary Art Museum
Following on the April post for this column, which explored recent works in print-based installation, this month’s Ink takes an in-depth look at Art21 artist Jessica Stockholder’s current project for …
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