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Flash Points: Art+Politics, Looking Back & Moving Forward

Everything old is new again, (left) a Soviet-era poster by Alexander Rodchenko, and (right) a contemporary poster by Shepard Fairey

These last two months have proved to be full of lively posts about the sometimes clear and often nebulous intersection of Art+Politics.

Art21’s own Marc Mayer kicked things off when he asked:

Is art inherently political, regardless of its intentions or motives? What role has political art played both in the history of art but also in the broader context of history? Can and will art participate in this new mandate of “change,” and if so, how?

His provocative questions allowed for a whole slew of people to chime in with their thoughts about a topic that never gets old.

As expected, there was a lot of talk about Obama (1, 2, 3, 4) and Shepard Fairey in particular, since the latter’s iconic image of the former sparked a global debate about the recent marriage of art and politics in a modern democracy.

Jenny Holzer (Season 4) was a hot topic since her retrospective PROTECT PROTECT traveled from Chicago to New York during the series. Posts focused on many aspects of Holzer’s work, but most poignantly on her deconstruction of a Pentagon PowerPoint presentation that proceeded the 2003 Iraq invasion and hand prints of U.S. soldiers accused of war crimes.

There were also enlightening discussions about:

A view of the bombed car part of Jeremy Deller's "It Is What It Is" in Philadelphia. (via the artblog)

…which brings us to our next Flash Points topic, Art+Economics.

But before we closed out this current topic, let’s take a quick look at some other noteworthy news or opinions from around the web on the always relevant and controversial topic of Art+Politics:

Next up: Art+Economics

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