Columns & Features

Praxis Makes Perfect

Praxis Makes Perfect | Lure of the Line

Praxis Makes Perfect

Praxis Makes Perfect | Lure of the Line

Writing from an artist residency program in Santa Fe, Erin Sweeny contemplates “the natural phenomena” of New Mexico and its “striking horizon lines.”

Teaching with Contemporary Art

Well Beyond Everyday

Teaching with Contemporary Art

Well Beyond Everyday

If you are interested in how everyday materials can become bizarre and (sometimes) brilliant sculpture, there are three shows ready and waiting for you in Chelsea: Nayland Blake’s What Wont Wrong at Matthew Marks; B. Wurtz’s Recent Works at Metro Pictures; and Mark Dion’s two-floor delight titled Drawings, Prints, Multiples and Sculptures at Tanya Bonakdar.

Center Field: Art in the Middle with Bad at Sports.

Centerfield | Embracing the Cliché: An Interview with Michelle Grabner

Center Field: Art in the Middle with Bad at Sports.

Centerfield | Embracing the Cliché: An Interview with Michelle Grabner

Caroline Picard interviews Michelle Grabner, artist, writer, and co-curator of the 2014 Whitney Biennial.

Word is a Virus

Word is a Virus | LA Existancial

Word is a Virus

Word is a Virus | LA Existancial

Carol Cheh reviews the Guy de Cointet exhibition at LACE and touches on the creative links between Los Angeles and France.

Teaching with Contemporary Art

Home and (or) Away

Teaching with Contemporary Art

Home and (or) Away

Teachers can take trips with their classes to local cultural institutions but sometimes it is beneficial to plan a trip to our own classroom.

Looking at Los Angeles

Looking at Los Angeles | Barbara T. Smith: Cheek To Glass, Electric Impressions of the Material Body

Looking at Los Angeles

Looking at Los Angeles | Barbara T. Smith: Cheek To Glass, Electric Impressions of the Material Body

Danielle McCullough recounts the life of politically-engaged performer and “body artist” Barbara T. Smith.

Praxis Makes Perfect

Praxis Makes Perfect | Let the Kids Ride

Praxis Makes Perfect

Praxis Makes Perfect | Let the Kids Ride

Antonius Wiriadjaja draws connections between Chris Jordan’s clock tower installation in Queens, graduate school, and the Helsinki Bus Station Theory.

Teaching with Contemporary Art

Art21 New York Close Up

Teaching with New York Close Up | Liz Magic Laser and David Brooks

Teaching with Contemporary Art

Art21 New York Close Up

Teaching with New York Close Up | Liz Magic Laser and David Brooks

Two recent New York Close Up films featuring artists Liz Magic Laser and David Brooks exemplify how the film series “can make strong interdisciplinary connections.”

New Kids on the Block

New Kids on the Block | Far Out with Lisa Sanditz

New Kids on the Block

New Kids on the Block | Far Out with Lisa Sanditz

Jacquelyn Gleisner chats with artist Lisa Sanditz about her imaginative paintings, the art world today, and the artist’s last great cheeseburger.

Gimme Shelter: Performance Now

Speaking Truth to Culture: An Interview with Czech Curator Zuzana Štefková

Gimme Shelter: Performance Now

Speaking Truth to Culture: An Interview with Czech Curator Zuzana Štefková

Columnist Marissa Perel visits Czech curator Zuzana Štefková, “known for her challenging curatorial projects that work across religious, ethnic, and social divides.”

On View Now

On View Now | Time Warp: “NYC 1993” at the New Museum

On View Now

On View Now | Time Warp: “NYC 1993” at the New Museum

Some works “seem as powerful and provocative today as they were twenty years ago,” writes Max Weintraub in our second review of “NYC 1993.”

Transmission

Transmission | An Interview with Seth Kim-Cohen: “I move to the left, and back to my right, step behind the amplifier, and I disappear into the darkness”

Transmission

Transmission | An Interview with Seth Kim-Cohen: “I move to the left, and back to my right, step behind the amplifier, and I disappear into the darkness”

Projects by Seth Kim-Cohen “initiate a listening about and around rock music as a cultural signifier.” Amelia Ishmael interviews the artist for her column “Transmission.”

Ink: Notes on the Contemporary Print

Ink | Print and the Virtual, Authentic Image

Ink: Notes on the Contemporary Print

Ink | Print and the Virtual, Authentic Image

Guest writer Julia V. Hendrickson shares thoughts on “the intersections of printmaking and the digital image, and the subsequent constructions of an authentic image online.”

Looking at Los Angeles

Looking at Los Angeles | Being Difficult

Looking at Los Angeles

Looking at Los Angeles | Being Difficult

Llyn Foulkes “has never had nor seemed to want any conceptual smoothness.” Columnist Catherine Wagley on the maverick artist’s retrospective exhibition at the Hammer Museum.

Queer Berlin

Queer Berlin and James Franco’s “Gay Town”

Queer Berlin

Queer Berlin and James Franco’s “Gay Town”

Longtime contributor Ali Fitzgerald launches her new column “Queer Berlin” with a review of James Franco’s “maddeningly egocentric and self-congratulatory” exhibition.

Praxis Makes Perfect

Praxis Makes Perfect | High Time: On Ritual and Duration

Praxis Makes Perfect

Praxis Makes Perfect | High Time: On Ritual and Duration

Erin Sweeny explores flexibility and self-imposed structure in the lives of artists and in recent artworks on view at SITE Santa Fe.

Teaching with Contemporary Art

Teaching with El Anatsui

Teaching with Contemporary Art

Teaching with El Anatsui

El Anastui, one of my favorite artists from season 6, is in some ways an educator’s dream. His sculptures and installations reference history, culture and memory while simultaneously exploring the possibilities of found materials and different processes for making art. And while Anatsui is best known for his stunning, draped metal sculptures, there is more to the work with than meets the eye… and that’s quite a bit to begin with.

Center Field: Art in the Middle

Center Field | The Stage of Scientific Reproduction: An Interview with Jeremy Bolen

Center Field: Art in the Middle

Center Field | The Stage of Scientific Reproduction: An Interview with Jeremy Bolen

Columnist Caroline Picard speaks with Jeremy Bolen about his photographic investigations of phenomena invisible to the human eye.

No Preservatives: Conversations about Conservation

Preserving Digital Art: A Case Study

No Preservatives: Conversations about Conservation

Preserving Digital Art: A Case Study

What is involved in caring for time-based artworks? Columnist Richard McCoy convenes a group of experts to discuss.

Teaching with Contemporary Art

Art21 Educators: Success Stories

Teaching with Contemporary Art

Art21 Educators: Success Stories

Over the past four years there have been many success stories from a what-still-feels-like-new Art21 Educators program. And while the experiences within and beyond Art21 Educators vary wildly from teacher to teacher, some of the educators we have worked with- in a range of disciplines and not just art- have provided us with specific comments and reflective narratives that often make smiles touch the back of our heads.

Alchemy of Inspiration

Alchemy of Inspiration I Sex, Skater Kids, and Gap Plaid: NYC in 1993

Alchemy of Inspiration

Alchemy of Inspiration I Sex, Skater Kids, and Gap Plaid: NYC in 1993

Jessica Lott reviews the “richly compelling, cohesive, and yet evasive” exhibition “NYC 1993,” now on view at the New Museum.

Looking at Los Angeles

Looking at Los Angeles | Slavs and Tatars: “Help the Militia, Beat Yourself Up–Only Solidarity and Patience Will Secure Our Victory”

Looking at Los Angeles

Looking at Los Angeles | Slavs and Tatars: “Help the Militia, Beat Yourself Up–Only Solidarity and Patience Will Secure Our Victory”

Danielle McCullough attends the Los Angeles Art Book Fair and is introduced to the Slavs and Tatars collective.

Word is a Virus

Word is a Virus | Fan Letter: Printed Matter’s First Los Angeles Art Book Fair

Word is a Virus

Word is a Virus | Fan Letter: Printed Matter’s First Los Angeles Art Book Fair

The first ever Los Angeles Art Book Fair gets a rave review from resident book lover Carol Cheh.

Yannick Jacquet and Marc Ferrario aka Mandril. "Cityscape 2095," 2013. Courtesy of the artists.

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: Augmented Space in “Cityscape 2095”

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: Augmented Space in “Cityscape 2095”

In a fourth and final post from New Frontier at Sundance, Nettrice Gaskins investigates “augmented space”—the technologies, objects, or symbols that overlay physical space with information.

Praxis Makes Perfect

Praxis Makes Perfect | Chicken Soup (for Those Who Love Art)

Praxis Makes Perfect

Praxis Makes Perfect | Chicken Soup (for Those Who Love Art)

Is there a fundamental difference between the Maker Movement and the kind of hands-on learning that already happens in most museums?

Teaching with Contemporary Art

Messing with the Stuff

Teaching with Contemporary Art

Messing with the Stuff

In order for students to feel comfortable expressing themselves with a particular medium, they often have to spend plenty of time messing with the stuff they are interested in shaping- be it car parts, plastics, plaster or paint- before they may be ready to create high quality works. A few artists I find myself recommending to students when it comes to specifically “messing” with paint and thinking like an abstract painter include Hans Hoffman, Helen Frankenthaler, Howard Hodgkin and Jessica Stockholder.

Gimme Shelter: Performance Now

“Art Is What You Can Get Away With”: Intervening Warhol with Miguel Gutierrez

Gimme Shelter: Performance Now

“Art Is What You Can Get Away With”: Intervening Warhol with Miguel Gutierrez

Marissa Perel interviews choreographer Miguel Gutierrez following his performance-slash-guided tour of “Regarding Warhol: Sixty Artists, Fifty Years” at the Metropolitan Museum of Art.

Rafael Lozano-Hemmer, "Pulse Index", 2010. "Time Lapse", Site Santa Fe, New Mexico, 2012. Photo by : Kate Russel

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: “Pulse Index” and “Coral RKV”

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: “Pulse Index” and “Coral RKV”

Nettrice Gaskins revisits relational aesthetics in a third post from New Frontier at Sundance, looking at works by Rafael Lozano-Hemmer and Lynette Wallworth.

New Kids on the Block

New Kids on the Block | Angela Dufresne: Self-Confessed Storyteller, Punk, Image Maker, and Feminist

New Kids on the Block

New Kids on the Block | Angela Dufresne: Self-Confessed Storyteller, Punk, Image Maker, and Feminist

Jacquelyn Gleisner speaks with artist Angela Dufresne whose “landscapes are murky” and portraits are “brooding.”

On View Now

On View Now | Cyprien Gaillard: Video in an Age of Doubt

On View Now

On View Now | Cyprien Gaillard: Video in an Age of Doubt

Max Weintraub reviews “Cyprien Gaillard: The Crystal World,” now on view at MoMA PS1.

"E.m-bed.de/d" (left) and "Augmented Real" by Yung Jake.

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: 4D Art and Augmented Real

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: 4D Art and Augmented Real

Nettrice Gaskins speaks with “datamoshing, glitch-creating, meta-rapping” artist Yung Jake in a second post from New Frontier at Sundance.

Teaching with Contemporary Art

Lingering

Teaching with Contemporary Art

Lingering

I’ve been thinking a lot lately about lingering with images and ways I can get my students to stay with works of art long enough to see and investigate what …

Welcome to the desert of the real: the entrance to New Frontier at Sundance 2013.

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: The Pixelated Pavilion

Art 2.1: Creating on the Social Web

Art 2.1 | New Frontier at Sundance 2013: The Pixelated Pavilion

Nettrice Gaskins introduces a series of reports from New Frontier: an experimental space at the 2013 Sundance Film Fesitval.

Transmission

Transmission | An Interview with Lori Felker: amplified sprocket holes, light passing through celluloid, bumping into dirt and tape and emulsion

Transmission

Transmission | An Interview with Lori Felker: amplified sprocket holes, light passing through celluloid, bumping into dirt and tape and emulsion

Columnist Amelia Ishmael interviews filmmaker and performer Lori Felkner about her “amazing” piece “Light Makes Music.”

Ink: Notes on the Contemporary Print

Ink | A Community of Printmakers at Manhattan Graphics Center

Ink: Notes on the Contemporary Print

Ink | A Community of Printmakers at Manhattan Graphics Center

Guest writing for Ink, Nicole Simpson walks us through the Manhattan Graphics Center, an artist-run space established in 1986.

Looking at Los Angeles

Looking at Los Angeles | What Have Bangs Got to Do with It?

Looking at Los Angeles

Looking at Los Angeles | What Have Bangs Got to Do with It?

All the talk about Michelle Obama’s new haircut inspires Catherine Wagely to look at bangs in art.